So this is the last one I started for the series, this time using color with black and white throughout the entire process. I guess I don't particularly care for colors, and I had a lot of trouble integrating it into the composition in a way that didn't feel so heavy-handed. The part at the top is where the woodblock didn't manage to cover the entire paper, but I thought it was nice so I kept it. For the part where the woodgrain meets the drawn elements I wanted to make the depth ambiguous, but because I used the same ghetto registration technique it ended up being a bit off and now it just looks like something peeling up.
I like the first two much more than this one, because for this I felt a bit too desperate to add new elements that I really misused what I already had. It feels like a really stupid collage rather than the drawing I envisioned, so I took half a step forward and ten steps back, really.
Tife and Limes: Bekuho
6 years ago
1 comment:
! Compositions involving Black and white mixing with color without making black from colors is way harder than you make it out to be with this painting. Goethe all the way. Well-done.
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